In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 8 at 2pm (CST/UTC-05), join us!
Lauren Sarah Hayes is a Scottish improviser and sound artist based in Arizona. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as ‘voracious’ and ‘exhilarating’. She is a sculptress of sound, manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. She is excited by what can happen in the vulnerable relationships between sound, space, and audience. Her shows are highly physical, making the performance of live electronic music more engaging for audiences. The Wire described her most recent album MANIPULATION (pan y rosas discos) as “skittering melodies and clip-clopping rhythms suggesting a mischievous intelligence emerging from this web of wires”.
Maria Sappho is a hybrid. The present is full of plasticity so she doesn’t worry much about being anything in particular. Most often she enjoys any opportunity to explore the magically absurd. She has worked with the BBC Scottish symphony orchestra, Australian Art Orchestra and is a current member of the Glasgow Improvisers Orchestra. She is a winner of the New Piano Stars Competition, Governors Recital Prize, and the Dewar Awards. She is a current PhD Candidate at Huddersfield University, on the European Research Council project IRiMaS She runs the Feminist Free Improvisation Archive, works for Mopomoso TV, is one head of the three headed beast the the Mass.
Raymond MacDonald: Equally comfortable working in concert halls, galleries, cinemas and non-conventional spaces, Raymond MacDonald is a cross disciplinary artist working primary in music as a saxophonist and composer. With a particular interest in collaborative creativity, MacDonald’s work is informed by his training as a psychologist. Viewing improvisation as a social and uniquely creative process, his performances explore the boundaries and ambiguities between what is conventionally seen as improvisation and composition. This approach, that combines music and psychology, has been used to develop collaborative projects and ongoing working relationships around the world. With a background in jazz and pop music, coupled with a passion for graphic scores, free improvisation and visual art, he has collaborated widely and has released over 60 CDs, toured and broadcast worldwide, and created music for film, television, theatre, radio and art installations.