pan y rosas release DJ Protestant by Violeta Garcia and Brice Catherin

Violeta García is a cellist, composer and curator from Buenos Aires, Argentina. She performs in many art forms including free improvisation, contemporary and trans-media experimental repertoire in violoncello and electronic music. In 2015 she founded a digital label and music series called TVL-REC, which is devoted to publishing new music, experimental groups and collectives from Latin America and organizing shows and festivals of noise and extreme music in Latin America and Europe.

Brice Catherin willingly stepped away from the contemporary music institutions in order to very freely develop a few activities: multi-instrumental cellist, improviser, composer and art performer. These activities feed into each another, so that beyond his multidisciplinary shows and improvised concerts, Brice has never stopped composing and premiering written pieces. Most of his recent projects explore the idea of democracy in art: the artists’ individual responsibilities and their place in the social group, as well as those of the members of the audience, are challenged and questioned.

Violeta and Brice brought their cello visions together for a freely improvised joint effort. Their first album as a duo is a unique trip of noise and extended string techniques in an immersive, dark winter. Fog, wood, and love surround these two Libra October-born, beautiful, humans.

Get the album here!

pan y rosas release Wasserläufer by Jukka-Pekka Kervinen and Markus Reineke

Jukka-Pekka Kervinen is Finnish composer, writer and musician who makes music in the worlds of free improvisation, electronics, and (live) coding using electric guitars, pianos, clarinets, and synths. He lives in a small village, between two lakes, in the middle of the forest.

Markus Reineke has made music using electronics since 1996. He has been freely improvising since 2014. He uses recorders and electronics.

On their new album for pan y rosas Jukka and Markus created five improvised songs that they created using recorders, objects, an electric guitar, and electronics.

Get the album here!

pan y rosas release treebird (ep) by treebird!

Treebird is Marie Finch (voice, movement), Michiko Theurer (violin), and Julie Herndon (keys, electronics). We believe in building immersive connections between music, art, and movement, with a goal to make a space for trust, openness, and play.

This is Treebird’s debut album. It was improvised, recorded, and composed at a distance between March 2020 and March 2021 on walks and calls, in bedrooms and backyards. Voice, violin, found sounds, harmonium, electronics, clarinet.

Get the album here!

pan y rosas release de acá a cien años by mentolados durruti

Mentolados Durruti is an improvising trio from Buenos Aires.

Luis Conde, Luis Ianes and Carlos Vega improvised and recorded their album on March 3 of 2019. An attempt to recover narratives found in the archaeology of other music and other discussions. There is no fusion. There is an epic. Clarinets, saxophone, guitars, bass.

Get the album here.

pan y rosas release OUT OF BODY OUT OF WORK by Mira Martin-Gray

Mira Martin-Gray is an improviser and reluctant composer preoccupied by feedback, probing the intersections between noise & melody, drone & rhythm, indeterminacy & control. Reclaiming undesirable sounds, she wields the emotionally expressive power of abstract music to counter dominant cultures of (un)desirability. A multi-instrumentalist, injury and disability led her to find means of making music accessibly using mixing boards. She lives in Toronto.

OUT OF BODY OUT OF WORK: solos for mixing boards is a document of Mira’s work exploring the expressive and emotive possibilities of the mixing board. She recorded her solo performances at her home in June and July of 2019. This is her first album for pan y rosas discos.

Get the album here!

pan y rosas release one bone in the arm by john collins mccormick!

john collins mccormick is a musician and artist based in indianapolis, indiana. he keeps his ear to the world and repeats without accumulating.

one bone in the arm was recorded in november and december of 2017 throughout the midwest of the united states. chicago, evanston, indianapolis, fort wayne, bloomington, ypsilanti, toledo and oberlin. john collins mccormick created sound spaces using a sub woofer, a low frequency sine wave, objects, a fish tank bubbler, a coronet.

get the album here!

pan y rosas release transparent points on four axes by daniel barbiero, ken moore, dave vosh!

daniel barbiero (1958, new haven ct) is a double bassist with an interest in gestural, modular and sound-based composition and improvisation in acoustic and electro-acoustic environments. he frequently works with improvisational dancers and writes regularly on music and related subjects.

ken moore is a percussionist living in northeast ohio. plays synthesizers, piano, bass guitar, udu and cajon drums, didgeridoo and glockenspiel. also does private recording and recently some video.

dave vosh is an analogue modular synthesist and performer active in the washington, d.c. area experimental music world. he curates many events in both the washington and baltimore areas, and performs solo as well as with other like-minded musicians.

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion. the result is a richly textured music growing out of the dynamic interactions of sound shape, color and line.

get the album here!

pan y rosas release sizigias by the cátodo dúo!

based in chile, the cátodo dúo consists of amanda irarrázabal on double bass and ramiro molina on electric guitar. they began playing together in 2012 as a way of sharing their experiences in the field of the improvised music. built around a string concept, the duo easily moves from intense rhythmic situations to dense layers of noise. the music is totally improvised and their sound arises from treating instruments as sources of sound in every sense of the word using prepared instruments and avoiding conventional playing.

the second album from cátodo dúo! recorded in the studio over three days, the duo investigates sound spaces that go beyond the primarily acoustic nature of the first album to interact with electronic processes. thick noise compounds appear, revealing what was only hinted at before. audacious electronic transformations. a fluidity. a constant and sustained attention to the moment. a focused syntax.

get the album here!