pan y rosas artists on the acts of silence best of 2015 list!

pan y rosas artists martin rach, iris garrelfs, cagey house, lucie vítková, lyn goeringer, stella veloce, compost haven, cp, daniel barbiero, rocheleau – bussière – couture, alexander chernyshkov and marina poleukhina, and pat moonchy are all on the acts of silence best of 2015 list! congratulations!

go check out the whole list!

kind words for breathing through wires by iris garrelfs!

Iris Garrelfs at the Barbican

the kindness comes from acts of silence.

Vocal experimental music has a bad rap due to the proliferation of blokes screaming into microphones while being covered in chocolate syrup. Garrelfs’ work is striking contrast to the aforementioned bellowing and posturing. The first time I listened to Breathing Through Wires, I throughout the stage was filled with people working in concert to produce this fluent sound. I was wrong. Using her own vocals and maybe some other sounds, Garrelfs creates a phonic tapestry of loops upon layers to make a re-stylization of choral works.

get the album here.

kind words for entoptic landscape by lauren redhead!

The netlabel Pan y Rosas always puts out quality work, however, the releases of late have been exceptional. Lauren Redhead’s Entopic Landcape is one of these noteworthy releases. Redhead, an experimental organ performer as well as composer and university lecturer, released a work using an organ, a trombone, tubas and recordings that combines experimental music with drones and improvisation. The description I just wrote hints at a piece of discombobulated noise. I assure you that is not the case. There is much calmness to Entopic Landscape and Redhead’s open notation compositions allow the musicians to add a slight ripple that reveals a multitude of sound underneath.

read the whole thing here!

more kind words for sarah j ritch’s string theory

this time the kindness comes from the acts of silence blog:

Ritch is a classically trained cellist so her attraction to drones is quite understandable. String Theory is part drone and part contemporary classical.* The album starts out with a short drone piece, “Celli”, which cements in my mind that the cello is the original drone creator. The second track, “400g Live” is a Ritch composition for violin and cello – though the cello is so good at drones, I sometimes wonder if it is not a laptop process these sounds. Carmel Raz plays the violin on this track. The third track is the aforemention drone piece, “16 Days”. With “Sonata de Kinor – 1st Movement”, Aurelien Pederzoli plays violin to Ritch’s cello. This would be the contemporary classical piece which I found to be alive and colorful. The last track is an interesting construction given by it’s title, “Duo for Solo Cello”. This work is filled with wonderful drones and noises. An exquisite way to end the album.

read the whole thing here