kind words for abailable by cecilia lopez and wenchi lazo!

Some improvisations seem less about dialogue – listening, responding, listening – and better resemble an agreement to let loose at a set time. Abailable starts with the sound of two musicians dragging crates of jumbled sound to the edge of a hillside: old Casio keyboards, toy synthesisers, MIDI trigger pads, spaghettis of patching cable and jack lead. 3, 2, 1, go. They spill them out. Drum machines clatter and bounce. Synthesisers grunt as they slam against jutting rocks on the way down. It’s a reckless cascade of pattering and tumbling, interjected by sudden bursts of gushing wound, riding the downward slope all the way to the bottom (wherever that may be). Everything fast becomes caked in the fuzz of bad wiring. Some of the sockets and cabling take an irreparable beating on the way down.

Source: Review: Cecilia Lopez + Wenchi Lazo – Abailable | ATTN:Magazine

pan y rosas release unlikely objects by isabel nogueira and luciano zanatta!

isabel nogueira is a performer-composer, musicologist and professor from brasil who conducts research in music, gender, the body, and sound creation. she uses voice, synths, field recordings and electronic devices to make experimental music, noise and sound art. isabel is a member of the medula collective for experimental sounds.

luciano zanatta is a performer-composer, has a phd degree in composition at the federal university of rio grande do sul (ufrgs), brazil. where he is also a faculty member of the music department and teacher at the electronic music centre. he develops research projects in composition and sound creation.

unlikely objects is an exploration of everyday objects, including those that usually receive the designation of musical instruments, and the various memories they contain. sounds that are perceived more as a side effect. the performance is an immersive experience drifting between noise and its opposite extreme experience, silence.

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kind words for for massas by joão pedro viegas, guy-frank pellerin, silvia corda and adriano orrù!

Dédié à un des auditeurs parmi les plus enthousiastes et les plus fidèles de la scène improvisée – jazz d’avant garde Lisboète récemment disparu et surnommé « Massas », ces quatre pièces enregistrées à la librairie Ler Devagar en 2015 documentent une rencontre entre les souffles du clarinettiste portugais João Pedro Viegas et du saxophoniste français Guy-Frank Pellerin et le tandem piano-contrebasse des sardes Silvia Corda et Adriano Orrù. La musique, librement improvisée, se situe dans ce no man’s land vers lequel ont dérivé le free d’après la New Thing et la musique contemporaine oublieuse de ses origines. Viegas sollicite les harmoniques de la clarinette basse et Pellerin des phrasés tordus au saxophone ténor. Les souffleurs font râler la colonne d’air, étirent les notes, éclatent les harmoniques, passent du grasseyant à l’acide.

pan y rosas release abailable by cecilia lopez and wenchi lazo!

cecilia lópez is a composer, musician and instrument builder from buenos aires, argentina. her work explores the boundaries between composition and improvisation, as well as the resonance properties of diverse materials through the creation of non-conventional sound devices.

wenchi lazo is an improviser from argentina who uses a guitar and electronics.

the two musicians met over the course of 2015 and 2016 to document a series of electronic improvisations. they used synthesizers, drum machines and processors. the sound is: resonance feedback. pummel. wooze bend. castles in space. clocks ticking from station to station.

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pan y rosas release live in berlin by muyassar kurdi!

muyassar kurdi is a brooklyn-based interdisciplinary artist. her work encompasses sound, extended vocal technique, performance art, movement, photography, and film. a versatile improviser, muyassar has composed and performed music for voice, harmonium, piano, lyre, autoharp, and theremin in both solo and collaborative environments. she currently focuses her attention to interweaving homemade electronic instruments and sculpture into her vocal and dance performances, stirring a plethora of emotions from her audience members through vicious noise, ritualistic chants, and meditative movements.

movement. voice. electronics. sculpture.

it all happened in berlin on february 17, 2017.

get the album here!