pan y rosas release flying with dry leaves by orlando

Orlando is a musician from Campina Grande, a country town in the state of Paraíba, Brazil. He has been involved with activities related to popular music since 1995 when he began his career as an upright bassist.

In his new album, Flying With Dry Leaves, Orlando, in partnership with MakinaGuru (his notebook), takes a trip through the electric and upright bass and its multitude of sounds. Through poetic, free, open, and improvised expressions he seeks to take new paths to express his hope for clearer and freer days. There are four tracks that explore electronic textures and the sounds of daily life in times of seemingly eternal quarantine. Flying With Dry Leaves pays homage to those who are gone and the endless ways that life moves on, always moving forward. Orlando’s music is concerned with cultivating the beauty that exists in continuing to imagine days in which a better world is possible.

Get the album here.

Jefferson Park EXP with Noisebringers and Lorenzo Gomez Oviedo – December 20, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 20 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Noisebringers were created by mistake. (“There are no mistakes, only happy accidents.” ― Bob Ross) A large and loving family consisting of Brice Catherin (your friendly elderly cellist next door), Henry McPherson (pianist and meme artist), and Maria Sappho (pianist and non-composer). Says Sappho, “We can not tell you what we have to offer, as this is an improvisational concert. If you are unsure of what an improvisational concert might be, be assured you are asking the right questions.”

They will present a film ritual: Tente, the mushroom that the crocodile ate, that they created with Afulodidim Nikefolosi (a figure in answer to the challenge: show me a contemporary mixture of Amos Tutuola and Zora Neale Hurston.)

https://www.mariasappho.com/noisebringer

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Lorenzo Gomez Oviedo is a composer and improviser from Argentina. His works explore soundscapes using analog recordings, sound interpretation of everyday objects, etc. He also organizes the experimental music lable, Adaptador Records. Currently, he performs in a duo with Karim Villalba focused on improvisation based collaborations with artists from other disciplines such as dance, poetry and drawing.

https://adaptador.bandcamp.com/

pan y rosas release being time by jenn kirby!

Jenn Kirby is a composer, performer and music technologist from Ireland and currently based in Scotland. She has a diverse creative output, including instrumental composition, electroacoustic music and avant-pop. Her music has been described as having a “sense of adventure and experimentalism.” Jenn’s performance work is centred around hybrid instrument design, building software, re-purposing hardware, and processing improvised vocalisations. She is a lecturer at the University of the West of Scotland.

Her first album on pan y rosas, Being Time, explores an obsession with time and the temporality of sound and experience. Time perceived simultaneously as experiential and retrospective. Time around us, time within us. Listening and being as a temporal experience. A constant flow of now through stillness and trajectory. Electroacoustic, noise, sometimes harmonic. A variety of instruments and sound sources. The voice.

Get the album here!

Jefferson Park EXP with Rachel Devorah and Kimberly Sutton – December 13, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 13 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Kimberly A. Sutton is a sound artist, cellist, and sound designer living in Chicago, Illinois. Her installations and sound design work explore the connections between the physical properties of sound and the cultural signifiers of its content. As a cellist her practice is improvisatory and explores the possibilities of expression and reflection through sound and the immediacy of a meditational connection to her instrument.

Recent installations have been shown at ArtPrize in Grand Rapids, Michigan, and the Chicago Home Theater Festival. She has performed at Experimental Sound Studio, the Hideout and the Empty Bottle in Chicago, Yoshi’s in Oakland, Detroit Contemporary, and the Technosonics Festival at the University of Virginia. She has a BA in Political Science and Music from the University of Chicago and an MFA in Electronic Music and Recorded Media from Mills College.

http://kimberlyasutton.com/

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Rachel Devorah is a sonic artist and feminist technologist. Her work seeks to reveal and reframe habits of autoecholocation (situating one’s self with/in sound/space).

She is an Assistant Professor of Electronic Production and Design/Creative Coding at the Berklee College of Music. She studied sound, technology, and gender at the City University of New York (Queens College); San José State University; Mills College; and the University of Virginia. Her work has received support from the Adrian Piper Research Archive Foundation (Berlin), EMS (Stockholm), GRM (Paris), the Jefferson Scholars Foundation [U.S.], MassMoCA [U.S.], MoKS [Estonia], the New Museum (New York), New Music USA, røst [Norway], and STEIM (Amsterdam). Her installation revontulet won the Ruth Anderson Prize from the International Alliance of Women in Music.

http://racheldevorah.studio/

Jefferson Park EXP with Lyn Goeringer and Whereness Quartet – December 6, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 6 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Lyn Goeringer is a sound artist and performer who makes her own instruments and multi-media pieces that focus on the unusual and everyday within sound, video, and electronics. Her work relies on intense focus and attention to bring the listener to a point of intentional hearing- a world where unusual objects can bring haunting soundscapes to life, or everyday objects become sonic in ways we do not usually hear them to be. Using singular instances of events, her works investigate individual sounds and images, giving them the time and space they need for their inner complexity can be perceived. She currently teaches at Michigan State University in Composition at the College of Music and Film Studies in the Department of English. She received her Ph. D from Brown University in 2011.

http://www.lyngoeringer.com/portfolio/

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Paul and Ansuman have been playing together since 1996. Each following their paths weaving together contemplative practices and inspirational music. Throughout their journeys they have maintained a devotion to performance live in the moment, responding to place and time through spontaneous improvisation. They are joined by Maureen Wolloshin Oboe/ Cor Anglais and Alistair Zaldua Violin, in this expanded quartet collaboration.

Indian percussionist Ansuman Biswas works in a wide variety of media but his central concern lies between science, work and religion. He is interested in traversing, transposing and translating across many different kinds of border. Improvisation and play are important elements fun his practice, and at its core is the technique of vipassana meditation. Paul Cheneour studied classical Indian and Persian music and his playing seeks to fuse these diverse musical influences. British-Russian Maureen Wolloshin’s research explores women in improvised music; as a composer she combines watercolour graphic score making with practices derived from Scottish piobaireachd and Spanish Arabic music. She has performed with the London Composer’s Forum, and Leeds Experimental Music Ensemble. The British-Colombian composer Alistair Zaldua creates music employing classical and experimental notation, and is a performer of live electronics (including a duet for organ and live electronics with Lauren Redhead), and a conductor.

http://www.ansuman.com/music.html
https://cheneour.com/
https://www.maureenwolloshin.com/
http://www.alistair-zaldua.de/

Jefferson Park EXP with Jessica Gabriel and Reid Karris – November 22 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 22 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Jessica Gabriel is a multidisciplinary artist, puppeteer, life model, permaculturalist, poet, clown, currently based in Vancouver, Canada. Her project tay_ploops is based on tape loops and other textures.

https://jessicagabriel.ca/

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Reid Karris is a multi-instrumentalist, composer, sound enthusiast and improviser hailing from Chicago, Illinois trying very hard to get all the music stuck in his head out for all the world to hear. After spending years as an odd guitarist trying to fit in with the world of rock music Reid shifted his focus towards improvisation, noise, drone and avant-garde. His primary instruments for doing so are prepared guitar and drum kit sent through electronics.

https://reidkarris.bandcamp.com/

Jefferson Park EXP with Andrea Pensado and Nicolas Tourney – November 15, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 15 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Based in the US since 2002, Pensado uses voice and electronics to make music. Max is her main tool. The programming emphasizes the mapping of synthesis parameters into performance gestures. The approach to both, programming and performance is highly intuitive. The harsh cut up noise result, mixed with the strong emotional component of her music, generates a deeply personal sonic language which inevitably gives rise to intense responses in the most diverse audiences.

Pensado performs extensively in the US and abroad. She also produces Sonorium, a series of experimental music based in Salem, MA.

http://www.andreapensado.com/

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Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. His electronic works concern perception and act of listening, with the use of various strings, drones and noise-making devices.

https://www.nicolastourney.com/

pan y rosas release Wir brauchen angst. und schade by Helena Ford!

Helena Ford is a transgender artist from Chicago, IL that specializes in semimodular synthesis and feedback works; her work exists in the same lineage of Eliane Radigue, Pauline Oliveros, and Mira Martin-Grey in the sense of navigating avant-garde and experimental electronic music away from the Academy and to the people. Her most recent series, including her album Wir Brauchen Angst. Und Schade, explores transness in the form of no-input feedback mixing; she deftly produces sonic sculptures and art from the same principles of musique concrete and minimalism and uses them to showcase the experience of being a transgender woman in today’s society. Her common album themes include gender dysphoria, anxiety, passing, and other such topics and the length of her solo releases are meant to invoke the immense span of time that it takes to transition. Aside from her musical endeavors, Helena loves long walks, collecting field recordings, and playing with her cat.

Wir Brauchen Angst. Und Schade explores transness in the form of no-input feedback mixing; she deftly produces sonic sculptures and art from the same principles of musique concrete and minimalism and uses them to showcase the experience of being a transgender woman in today’s society.

Get the album here!

Jefferson Park EXP with Maria Sappho + Raymond MacDonald and Lauren Sarah Hayes – November 8, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 8 at 2pm (CST/UTC-05), join us!

https://www.twitch.tv/jeffersonparkexp

Lauren Sarah Hayes is a Scottish improviser and sound artist based in Arizona. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as ‘voracious’ and ‘exhilarating’. She is a sculptress of sound, manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. She is excited by what can happen in the vulnerable relationships between sound, space, and audience. Her shows are highly physical, making the performance of live electronic music more engaging for audiences. The Wire described her most recent album MANIPULATION (pan y rosas discos) as “skittering melodies and clip-clopping rhythms suggesting a mischievous intelligence emerging from this web of wires”.

www.laurensarahhayes.com

@elleesiach

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Maria Sappho is a hybrid. The present is full of plasticity so she doesn’t worry much about being anything in particular. Most often she enjoys any opportunity to explore the magically absurd. She has worked with the BBC Scottish symphony orchestra, Australian Art Orchestra and is a current member of the Glasgow Improvisers Orchestra. She is a winner of the New Piano Stars Competition, Governors Recital Prize, and the Dewar Awards. She is a current PhD Candidate at Huddersfield University, on the European Research Council project   IRiMaS She runs the Feminist Free Improvisation Archive, works for Mopomoso TV, is one head of the three headed beast the the Mass.

https://www.mariasappho.com

Raymond MacDonald: Equally comfortable working in concert halls, galleries, cinemas and non-conventional spaces, Raymond MacDonald is a cross disciplinary artist working primary in music as a saxophonist and composer. With a particular interest in collaborative creativity, MacDonald’s work is informed by his training as a psychologist. Viewing improvisation as a social and uniquely creative process, his performances explore the boundaries and ambiguities between what is conventionally seen as improvisation and composition. This approach, that combines music and psychology, has been used to develop collaborative projects and ongoing working relationships around the world. With a background in jazz and pop music, coupled with a passion for graphic scores, free improvisation and visual art, he has collaborated widely and has released over 60 CDs, toured and broadcast worldwide, and created music for film, television, theatre, radio and art installations.

https://raymondmacdonald.co.uk

Jefferson Park EXP with Amanda Kraus + P.M. Tummala and Helena Ford – November 1, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 1 at 2pm (CST/UTC-05), join us!

https://www.twitch.tv/jeffersonparkexp

Amanda Kraus is a drummer in Chicago. She improvising and plays composed songs. Her drumming is sensitive, responsive, consistent, and informed by decades of listening. She is a human jukebox and a good dancer.

https://www.amandakraus.org/music/

P.M. Tummala’s solo works explore identity and memory to create an aural companion to Indian Modernism and Indo-Futurism. With his debut album, Brindavan Mon Amour, he presents a collage of Indian film music from an alternate history. Drawing inspiration from some of the more atmospheric incidental music and cues from 60s and 70s Tollywood and Bollywood films, he layers synth-heavy Hindustani and Carnatic-influenced melodies and drones over a foundation of hazy textures and loops informed by the ghosts of 90s ambient and shoegaze. The resulting work attempts to form a bridge between contradictions: distant and intimate, nostalgic and looking ahead, lost-in-time and contemporary.

https://pmtummala.bandcamp.com/
https://www.youtube.com/watch?v=IQdP7bjGk8M

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Helena Ford is a transgender artist from Chicago, IL that specializes in semimodular synthesis and feedback works; her work exists in the same lineage of Eliane Radigue, Pauline Oliveros, and Mira Martin-Grey in the sense of navigating avant-garde and experimental electronic music away from the Academy and to the people. Her most recent series, including her album Wir Brauchen Angst. Und Schade, explores transness in the form of no-input feedback mixing; she deftly produces sonic sculptures and art from the same principles of musique concrete and minimalism and uses them to showcase the experience of being a transgender woman in today’s society. Her common album themes include gender dysphoria, anxiety, passing, and other such topics and the length of her solo releases are meant to invoke the immense span of time that it takes to transition. Aside from her musical endeavors, Helena loves long walks, collecting field recordings, and playing with her cat.

https://helenaford.bandcamp.com/